Tips for writing irony in literature
As a scholarly gadget, incongruity is frequently misjudged. Albeit a considerable lot of us find out about incongruity in our secondary school English classes through works of theater like Shakespeare’s Romeo and Juliet or Sophocles’ Oedipus Rex, numerous individuals feel uncertain of what incongruity means—or how to utilize it accurately. Yet, when sent with expertise, incongruity is an integral asset that adds profundity and substance to a bit of composing.
Focus. As you read and watch films, contemplate what is unexpected, and why. For instance, in the film The Wizard of Oz, the extraordinary and ground-breaking Oz ends up being only an ordinary man, while Dorothy, who has been urgently looking for his assistance so she can return home, has had the ability to get back from the start. Consider manners by which you can fuse circumstances like this into your composition, where you sabotage the desires for your characters, your perusers—or both.
Utilize an omniscient perspective. Numerous books written in the nineteenth century are told from an omniscient perspective. At the point when a peruser knows more than the character, as in Bram Stoker’s Dracula, it produces tension, in light of the fact that your peruser trusts that the character will realize what they definitely know. In any case, you should upset that equalization of information and make the storyteller a character in the story that knows more than the peruser. Agatha Christie utilized this first-individual procedure to make story incongruity.
Have an away from of view methodology. Perspective technique is profoundly bound up with what story you need to tell and will control how that story unspools. Regardless of where you are in the drafting cycle, dedicate some an ideal opportunity to thoroughly considering the dangers and prizes of various perspective procedures and consider who in your story might be most appropriate to hold the account reins.
Utilize the “in the interim” gadget. On the off chance that you are utilizing an omniscient story perspective methodology, your storyteller may describe an equal occasion happening all the while in somewhere else utilizing the “in the interim” gadget (e.g., “Then, across town…”). Since this gadget gives the peruser access on happenings that one character has no information on, it is an extraordinary instrument for creating emotional incongruity.
Utilize a flashback arrangement. At the point when your account or characters review a long memory from a period before the story started, you might need to pull the reader back into a past scene. This is known as a flashback. It imperative to stamp the start and end of a flashback to take your time leaps clear to the reader, which you can do utilizing past ideal tense to present the change—for example “he had gone to the marina.” Past impeccable tense uses the action word “to have” with the past participle of another action word (for this situation “gone”). After a couple of lines of this, change into straightforward past tense—for example “he climbed onto the pontoon.” Generally, utilizing past ideal for a long part of text is bumping for most reader. It’s sufficient to utilize it just toward the beginning of the flashback before changing to basic past tense. At the flashback’s end, utilize an update that the reader is back in the current scene.
