How to create in medias res in your story
A few writers create the initial scenes of their abstract universes with extravagant, engaging language—ground-breaking tangible descriptors that detail the climate and set up where the story happens. Different authors like to drop the reader directly into the center of the activity, letting the actual parts of the world unfurl as the start of the story advances.
The accompanying rules can assist you with joining in medias res into your story:
Start with the center. Pick a climactic second, clash, contention, battle, disclosure—anything that indicates some chain of occasions have happened in this world paving the way to the crucial second.
Infuse your backstory. On the off chance that you start your story in the center, the crowd will at last should be up to speed with who these characters are, and what’s going on. Pertinent data can be conveyed by means of flashbacks, switches in POV, or through exchange—however there’s an equilibrium each essayist must discover while giving barely enough data to the reader for them to comprehend the current circumstance without unloading a store of legend on them.
Make it pressing. The scene you decide to open with should be a vital, high-stakes second for the fundamental characters of your story, and essential to the plot. The crowd ought to be as eager and anxious as can be seeing this occasion come to pass, considering how and why it occurred, and anxious to know whether everything going to turn out for the legends.
