Tips for using irony in your writing
As an artistic gadget, irony is frequently misconstrued. Albeit a significant number of us find out about irony in our secondary school English classes through works of theater like Shakespeare’s Romeo and Juliet or Sophocles’ Oedipus Rex, numerous individuals feel uncertain of what irony means—or how to utilize it effectively. Yet, when conveyed with ability, irony is an integral asset that adds profundity and substance to a bit of composing.
Focus. As you read and watch motion pictures, ponder what is amusing, and why. For instance, in the film The Wizard of Oz, the incredible and amazing Oz ends up being only an ordinary man, while Dorothy, who has been frantically looking for his assistance with the goal that she can return home, has had the ability to get back from the beginning. Consider manners by which you can consolidate circumstances like this into your composition, where you undermine the desires for your characters, your readers—or both.
Utilize an all-knowing perspective. Numerous books written in the nineteenth century are told from an all-knowing perspective. At the point when a reader knows more than the character, as in Bram Stoker’s Dracula, it creates anticipation, on the grounds that your reader trusts that the character will realize what they already know. In any case, you should modify that equilibrium of information and make the storyteller a character in the story that knows more than the reader. Agatha Christie utilized this first-individual system to make account irony.
Have an away from of view system. Perspective system is profoundly bound up with what story you need to tell and will control how that story unspools. Regardless of where you are in the drafting cycle, commit some an ideal opportunity to thoroughly considering the dangers and prizes of various perspective systems and consider who in your story might be most appropriate to hold the account reins.
Utilize the “then” gadget. On the off chance that you are utilizing an all-knowing account perspective procedure, your storyteller may describe an equal occasion happening at the same time in somewhere else utilizing the “in the interim” gadget (e.g., “Then, across town…”). Since this gadget gives the reader access on happenings that one character has no information on, it is an incredible device for producing sensational irony.
Utilize a flashback grouping. At the point when your account or characters review a long memory from a period before the story started, you might need to pull the reader back into a past scene. This is known as a flashback. It essential to stamp the start and end of a flashback to take your time leaps clear to the reader, which you can do utilizing past ideal tense to present the change—for example “he had gone to the marina.” Past wonderful tense uses the action word “to have” with the past participle of another action word (for this situation “gone”). After a couple of lines of this, progress into basic past tense—for example “he climbed onto the boat.” Generally, utilizing past ideal for a long part of text is jostling for most readers. It’s sufficient to utilize it just toward the beginning of the flashback prior to changing to straightforward past tense. At the flashback’s end, utilize an update that the reader is back in the current scene.
