Comparing Short Story and Novel
How might you tell whether the thought you’re chipping away at is a short story or a novel? You may think the distinction between these two fine arts is one of length, however the significant contrasts between how a short story functions and a novel works has more to do with topical and tasteful contemplations than word check alone.
While illustrating your story, ask yourself: Does this story require broad backstory to sound good to the reader? Does it rotate around a solitary occasion or an intricate arrangement of episodes? Are there numerous subplots or deviations important to pass on the full range of the story? The more data you need to pass on for the story to reverberate, the more extended a task you’re taking a gander at.
Subplots. Another approach to consider the distinction among stories and novels has to do with the unpredictability of the story. A short story will in general take less time, following simply a solitary thread, and infrequently includes in excess of a solitary subplot. A novel, conversely, might overflow with subplots.
Setting. Acquainting your reader with another setting can take a great deal of time. In case you’re writing in a chronicled time-frame, or building another world as you would in the event that you are composing sci-fi, you’ll presumably have to compose more composition than a story that is set right now and in a recognizable spot.
Number of characters. Novels frequently have bigger projects of exceptionally created characters. Short stories for the most part include less characters or even only one primary character.
Perspectives. Consider how you need your story told: What is the perspective? It tends to be troublesome as an author (and befuddling to a reader) to switch perspectives throughout the span of a short story. In a more drawn out your story, key movements in perspective (even between first individual and third individual) might be significant as an approach to support the reader’s advantage—going through an excessive number of pages with a similar character or perspective can now and then destroy a reader.
