Learn the Difference Between Motif and Symbols in Writing

Motifs and symbols are artistic gadgets that creators have utilized consistently. Indeed, the two motifs and symbols are utilized in all masterful media: painters, stone carvers, writers, and performers all utilization motifs and use symbols in the most developed types of their separate artistic expressions. And keeping in mind that they are comparative artistic terms, “motif” and “symbol” are not equivalent words. There are unmistakable contrasts between the meaning of symbol and the meaning of motif, and they serve to some degree various capacities in writing.

A symbol can be a motif on the off chance that it is rehashed at different spans all through a work of writing.

In F. Scott Fitzgerald’s The Great Gatsby, the green light toward the finish of the Buchanans’ dock symbolizes more than exacting light for the novel’s primary character: it speaks to yearning, status, riches, and the American dream—alongside Daisy Buchanan herself. The green light is additionally a common motif; it’s referenced ordinarily all through the novel.

Notwithstanding, if a symbol just shows up in a solitary example inside an abstract work, it’s anything but a motif.

In Edna St. Vincent’s sonnet “Recuerdo,” the speaker portrays herself eating a pear, which is a symbol of her gentility. Be that as it may, the pear isn’t referenced once more, so it’s anything but a motif.

Then again, a rehashing motif can be a symbol in the event that it speaks to something past its exacting importance.

The seasons in Martin’s A Song of Ice and Fire epitomize such an idea. Winter speaks to more than colder temperatures; it’s a harbinger of the coming White Walkers and the danger to living people south of The Wall. Regularly when Martin makes reference to winter, he’s not just giving portrayal; he’s lining up story components also. Nonetheless, if a rehashing motif doesn’t contain an optional importance, it’s anything but a symbol.

In poetry, a rehashed expression is known as “anaphora,” from the Greek word for “conveying up or back.” Most graceful anaphora doesn’t have symbolic hugeness; it very well might be a significant apparatus for the artist, yet essentially for aural reasons, instead of to speak to something past the strict.