Tips for writing supporting characters
A supporting character is an individual who assumes a function in the life of a story’s hero. Writers and screenwriters don’t moor a story around supporting characters, yet they use them during the time spent worldbuilding to make a convincing background to the primary character’s story curve.
An elegantly composed supporting character will have a character circular segment, a solid perspective, and clear character traits. As a rule they will be the sorts of characters a reader may perceive from their own life and—like primary characters—they will develop and change throughout the storyline. Characters who don’t change are known as level characters, and keeping in mind that specific piece parts turn out only great as level characters, most of your auxiliary parts should be dynamic and connecting with to a reader or watcher.
Your auxiliary characters are framed by their background. Character and occasion are indivisible on the grounds that an individual is what befalls them. This is valid for primary characters and minor characters the same. Regardless of whether an optional character just shows up irregularly all through your novel, short story, or screenplay, supporting characters exist to the extent that they experience occasions.
Auxiliary characters should be three dimensional, much the same as primary characters. Your occupation as an essayist is to find out about your character by seeing how they interface with their general surroundings. Characters—like genuine individuals, all things considered—have pastimes, pets, chronicles, ruminations, peculiarities, and fixations. They likewise have a backstory, much the same as the hero does. It’s fundamental to your novel that you comprehend these parts of your character so you are prepared to see how they may respond under the weights of occasions they experience.
Monitor your optional characters with a character graph. At the point when you compose, make a character outline on which you compose each character, their birthday, and world occasions that may be pertinent to them. Thusly, you can monitor how old characters are according to each other, and furthermore how old they are the point at which certain anecdotal or recorded occasions happened.
Make your characters fascinating. Characters, similar to individuals, are defective. They don’t should be agreeable, however they should be fascinating. For instance, Moby-Dick’s Captain Ahab was absolutely not affable, but rather he was convincing. Now and again the characters in supporting jobs are the ones who are most straightforward to push limits with. You should expect to make a fascinating character that straightforwardly abets or obstructs the hero’s objective yet in a manner that doesn’t really adjust to an exhausted model.
Each character needs to talk with reason. At the point when your characters are talking, they should be attempting to get something from each other or make a strategic maneuver. As you draft every scene, ask yourself what your characters are attempting to get. What are they attempting to maintain a strategic distance from? How do these needs arch their discourse and guide what they state—or don’t state? As you create exchange for your supporting characters, be aware of their character parts inside your essential storyline (just as any subplots). Utilize their discussions productively to add to worldbuilding, character improvement, and the acceleration of plot.
